A Musical Case For Typological Realism Part 3

The third of my four part argument for typological realism through the conceptual metaphor of music has just been published on the Theopolis Institute:

Music’s revelation of time’s potential to be a realm of unity and coherence affords us new ways of conceiving typology. Rather than abstracting typology from time or opposing type to some antitypical reality, typology can be understood in terms of God’s rich orchestration of covenant history and his developing witness to it. The process of revelation takes time, because it is musical in character, because time is integral to its manner of meaning-making (synchronic type-antitype models of typology raise the question of why the advent of the reality had to tarry so long for supposedly hollow signs). The meaning that is made through revelation is to be understood typologically or figurally, as we follow the unfolding development of the movements of God’s great redemptive symphony.

Read the rest here. If you haven’t already done so, read parts 1 and 2 first.

About Alastair Roberts

Alastair Roberts (PhD, Durham University) writes in the areas of biblical theology and ethics, but frequently trespasses beyond these bounds. He participates in the weekly Mere Fidelity podcast, blogs at Alastair’s Adversaria, and tweets at @zugzwanged.
This entry was posted in Bible, Christian Experience, Controversies, Creation, Eschatology, Guest Post, Hermeneutics, NT Theology, OT Theology, Philosophy, Providence, Revelation, Scripture, Theological. Bookmark the permalink.

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s